Friday, September 13, 2019

Next Week in Tickets: Films playing Boston 13 September 2019 - 19 September 2019

Does the Toronto International Film Festival run another weekend, or did it end on Thursday? In the former, a couple of its bigger entries are hitting theaters even before it's finished.

  • The one people seem to be excited about is Hustlers, with Constance Wu and Jennifer Lopez as part of a team of strippers with a scheme to rip off the Wall Street types who come to their clubs. It's been described as both a thriller and an operatic drama, which sounds ambitious. It's at Fresh Pond, Boston Common, Fenway, the Seaport (including Icon-X), South Bay (including Dolby Cinema), Assembly Row (including Dolby Cinema), Revere, and the SuperLux.

    The reviews aren't quite so good for The Goldfinch, featuring Oakes Fegley and later Ansel Elgort as a boy taken in by a wealthy family after his mother is killed in a terrorist attack. Word is Nicole Kidman and the cinematography by Roger Deakins are good, but that the film is bloated at two and a half hours. That's at the Somerville, Fresh Pond, West Newton, Boston Common, Fenway, the Seaport, South Bay, Assembly Row, Revere, and the SuperLux.

    Boston Common also opens Fantasia Festival selection Freaks, which I suggest seeing knowing as little going in as possible. Official Secrets picks up screens at the Capitol, West Newton, Fenway, and Revere after having opened at the Coolidge, Kendall Square, and Boston Common last week.

    This week's "Dream Big, Princess" selection at AMC Boston Common and Assembly Row is the classic animated Beauty and the Beast. Anniversary screenings this week include El Norte and Fenway & Assembly Row on Sunday and Star Trek: The Motion Picture on Sunday & Wednesday at Fenway, the Seaport (Sunday only), South Bay, Revere, and the SuperLux. Fenway, the Seaport, South Bay, Assembly Row and Revere play Game Changers on Monday, with the documentary featuring Arnold Schwarzeneggar, Jackie Chan, and other athletes being confronted with the idea that everything they've learned about protein and muscle-building may be incorrect. Rob Zombie's 3 From Hell has a (fittingly) three-day run from Monday to Wednesday at Fenway, South Bay, and Revere. There are also two Japanese imports that played Fantasia hitting theaters this week: The pretty-decent live-action Tokyo Ghoul S plays Boston Common, Fenway, the Kendall, and Revere on Monday and Wednesday, while the downright fantastic animated Promare plays Boston Common, Fenway, the Seaport, South Bay, Assembly Row, and Revere on Tuesday and Thursday.
  • The Coolidge Corner Theatre,Somerville, and Kendall Square open Linda Ronstadt: The Sound of My Voice, a documentary about the phenomenally popular, category defying singer.

    Friday is the 13th, which means Jason Vorhees comes to town, although the town in questioni is Medfield, where the Coolidge has a double feature of the original Friday the 13th and the 2009 remake at the Rocky Woods reservation. Back in Brookline, the Coolidge's midnights are David Lynch classics on 35mm, with Eraserhead on Friday and Blue Velvet on Saturday. Monday's Big Screen Classic is Cleo from 5 to 7, with an optional seminar for those who would like to dig in deeper. Tuesday's "Cine Almodovar" presentation is a 35mm print of Women on the Verge of a Nervous Breakdown, with Legally Blonde the "Rewind!" show on Thursday. On Wednesday, they have a special Anniversary Celebration, marking 30 years since the theater was rescued from demolition, re-emerging as a non-profit boutique cinema.
  • Kendall Square brings out Raise Hell: The Life and Times of Molly Ivins, a documentary on the famed Texas newspaper columnist whose wit was only matched by her dedication to taking on corruption. They also have A Faithful Man, in which director Louis Garrel sets up a situation where both a former girlfriend played by Laetitia Casta and the beautiful kid sister of the man she left him for (Lily-Rose Depp) decide to re-enter his character's life after that friend dies. Not self-indulgent at all.
  • The Brattle Theatre plays Ray & Liz from Friday to Monday, with photographer Richard Billingham making the jump to the big screen to tell a story about life in working-class Birmingham during the 1980s. Those days also feature a 35mm print of the original A Nightmare on Elm Street at 9:30pm.

    There's also a Sunday-morning showing of a local crowd-sourced documentary, Motherload with discussion afterward (RSVP required). One Tuesday, they have a one-night-only screening of One Cut of the Dead, which is the ideal way to see it because when you're backed in a crowd like that, you can't bolt or turn it off during the very rough first third that you need for the absolutely brilliant finale to work. Wednesday is National Art House Cinema Day, which the Brattle celebrates with screenings of My Twentieth Century and Putney Swope, while writer Tom Sturges visits on Thursday to talk about his father Preston, the book he has written about the man, and introduce one of his greatest films, Sullivan's Travels, on 35mm.
  • It must be some sort of big Indian holiday season, because Apple Fresh Pond has another big batch of new movies this week. This week, that includes Bollywood romantic comedy Dream Girl, starring Ayushmann Khurrana and Nushrat Bharucha; legal thriller Section 375; Gang Leader, in which Nani plays a man helping five women in a revenge plot; and Pailwaan, with Sudeep as a fighter who becomes a folk hero and political figure on top of being an athlete. The first two are in Hindi; the language for the latter two aren't clear. Chhichhoreand Mission Mangal are still playing, too.

    Boston Common picks up Fagara the same time it hits Hong Kong; it's the new one from rising-star director Heiward Mak and features Sammi Cheng as a Hong Kong woman who discovers that her father had two other daughters, one in Taiwan and one in the Mainland, all under various sorts of family pressure, who must work together to pay off their father's debt. Ann Hui produces and Andy Lau has a cameo. Nezha is still going strong at Boston Common, also opening at the Seaport and Revere.
  • The Harvard Film Archive begins a series honoring The B-Film: Low-Budget Hollywood Cinema 1935-1959 this weekend. Friday and Sunday offer a 35mm double feature of the new restoration of Detour (restored on Friday and an archival print on Sunday) & Five Came Back, with 16mm print of Donovan's Brain playing later on Friday. Saturday's early twin bill is Crime Wave (16mm) & Plunder Road (35mm), with Peter Lorre in Island of Doomed Men (on 35mm) later. They also welcome Sofia Bohdanowicz, perhaps not quite in time for Sunday afternoon's screening of Maison du Bonheur, but she will be there to introduce short film "Veslem√ły’s Song" (on 16mm) and feature MS Slavic 7 on Monday.
  • It's mostly "Festival Buzz" at The Museum of Fine Arts this week, with A Long Day's Journey into Night (2D Friday), The Beach Bum (Friday/Sunday), The Souvenir (Sunday), The Farewell (Wednesday), and The Nightingale (Wednesday). They will also show Aretha Franklin: Amazing Grace on Saturday, preceded by a discussion with Dr. Emmett Price III of Gordon Conwell Theological School and Boston Globe columnist Renee Graham.
  • There is an India International Film Festival of Boston this weekend, with Friday's fancy opening night at the JFK library featuring Chef Vikas Khanna on hand to introduce the adaptation of his novel The Last Color, two free screenings at the Cambridge Public Library on Saturday, and a number of other shows at the Wheelock Family Theater at Boston University on Saturday and Sunday
  • School is back in session, which mean Bright Lights is back in the Paramount's Bright Screening Room. That's two free movies a week (if you show up early enough) and discussion afterward. This fall's series opens with Booksmart on Tuesday and Wild Nights with Emily on Thursday, both followed by faculty guests.
  • The Somerville Theatre has been running in Once Upon a Time in Hollywood via DCP for the past week or so, but will be breaking the film back out again on the big screen this weekend. On Wednesday, The Boston Underground Film Festival hosts their monthly screening, with "A September to Dismember" offering literal mayhem - and if I read the schedule right, they're not necessarily in the Micro-Cinema this month (although it might be wise to buy tickets early just in case).
  • The Boston Film Festival is still a thing, and has moved on to the Seaport for its entire length this year. Opening night on Thursday actually looks kind of good, with Columbine High School documentary American Tragedy at 7pm (with plentiful guests) and what's apparently the U.S. premiere of Taika Waititi's Jojo Rabbit at 9pm (with no guests). The festival runs until Sunday the 22nd.
  • Cinema Salem has documentary Fiddlin' in their small room this week, and also has a preview screening of Jirga on Thursday, with post-film discussion of the film about an Australian soldier submitting himself to village justice in Afghanistan led by veteran Tom Laaser and educator Mitch Manning.

    The Luna Theater has The Farewell on Friday and Saturday evenings, Honeyland and The Nightingale Saturday afternoon, Brazil three times on Sunday, and documentary Island of the Hungry Ghosts on Tuesday evening. There are also the usual weekly free shows, with Saturday Morning Cartoons, Sunday's "Magic Mystery Movie Club", and Weirdo Wednesday.
  • There's a chill in the air, but Joe's Free Films shows three outdoor films Friday night, including Willy Wonka and the Chocolate Factory, Rocky, and Le Brio.

I'll check out Fagara and Hustlers, hit Fenway Park for both baseball and a concert, and hopefully fit in some B-movies and/or Promare.

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